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Modal chord progressions

Modal chord progressions

This text will visualize a way to harmonize the seven modes of the major scale using three simple chord shapes. This can be used as an aid playing modal chord progressions and also help understand the underlying theory. A few examples of modal chord progressions are also given.

For more charts and tutorials see the preset-menu at top left, or click the links below for text on related topics:

In the same way the major scale is harmonized to derive all chords in a given key, each and every mode of the major scale can be harmonized also. By harmonizing the modes of the major scale you will be given the ordered sets of chords to play all different modal progressions. By using three different chord shapes you can harmonize all seven modes of the major scale as seen below. At the very bottom there are few samples of modal chord progressions to try.

Chords

1.
G - Major
Major
xxDGBx
3
1
4
♭7
♭3
5
1
4
♭2
♭5
7
3
♭6
♭2
5
2
5
1
4
6
2
2.
G - Minor
minor
xxDGBx
3
1
4
♭7
♭3
5
1
4
♭2
♭5
7
3
♭6
♭2
5
2
5
1
4
6
2
3.
G - Diminished
diminished
xxDGBx
2
7
3
6
2
♭5
7
3
1
4
♭7
♭3
5
1
4
♭2
♭5
7
3
♭6
♭2
5
2
5
1
4
6
2

Harmonizing the modes of the major scale

See how the chord shapes move changing mode.

4.
G - Major / Ionian
I - Major
ii - minor
iii - minor
IV - Major
V - Major
vi - minor
vii - diminished
E
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
B
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
G
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
D
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
A
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
E
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
12345678910111213141516
5.
G - Dorian
i - minor
ii - minor
♭III - Major
IV - Major
v - minor
vi - diminished
♭VII - Major
E
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
B
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
G
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
D
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
A
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
E
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
12345678910111213141516
6.
G - Phrygian
i - minor
♭II - Major
♭III - Major
iv - minor
v - diminished
♭VI - Major
♭vii - minor
E
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
B
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
G
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
D
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
A
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
E
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
12345678910111213141516
7.
G - Lydian
I - Major
II - Major
iii - minor
♯iv - diminished
V - Major
vi - minor
vii - minor
E
♭7
7
1
♭2
2
♭3
3
4
♯4
5
♭6
6
♭7
7
1
♭2
B
4
♯4
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♯4
5
♭6
G
♭2
2
♭3
3
4
♯4
5
♭6
6
♭7
7
1
♭2
2
♭3
3
D
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♯4
5
♭6
6
♭7
7
A
♭3
3
4
♯4
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♯4
E
♭7
7
1
♭2
2
♭3
3
4
♯4
5
♭6
6
♭7
7
1
♭2
12345678910111213141516
8.
G - Mixolydian
I - Major
ii - minor
iii - diminished
IV - Major
v - minor
vi - minor
♭VII - Major
E
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
B
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
G
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
D
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
A
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
E
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
12345678910111213141516
9.
G - Minor / Aeolian
i - minor
ii - diminished
♭III - Major
iv - minor
v - minor
♭VI - Major
♭VII - Major
E
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
B
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
G
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
D
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
A
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
E
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
12345678910111213141516
10.
G - Locrian
i - diminished
♭II - Major
♭iii - minor
iv - minor
♭V - Major
♭VI - Major
♭vii - minor
E
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
B
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
G
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
D
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
A
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
2
♭3
3
4
♭5
E
♭7
7
1
♭2
2
♭3
3
4
♭5
5
♭6
6
♭7
7
1
♭2
12345678910111213141516

Sample progressions

Major/IonianDorianPhrygianLydianMixolydianMinor/AeolianLocrian
I–V–vi–IVi–IV–i–♭VII–ii–♭II–♭III–iI–II–I–III–♭VII–I–♭VII–Ii–iv–v–inone*
IV–I–V–vii–♭VII–i–♭VII–ii–♭III–♭vii–iI–V–I–II–II–IV–I–♭VII–Ii–♭VI–♭VII–inone*

*The diminished chord is considered too unstable to use as a tonic.

This text will visualize a way to harmonize the seven modes of the major scale using three simple chord shapes. This can be used as an aid playing modal chord progressions and also help understand the underlying theory. A few examples of modal chord progressions are also given.

For more charts and tutorials see the preset-menu at top left, or click the links below for text on related topics:

In the same way the major scale is harmonized to derive all chords in a given key, each and every mode of the major scale can be harmonized also. By harmonizing the modes of the major scale you will be given the ordered sets of chords to play all different modal progressions. By using three different chord shapes you can harmonize all seven modes of the major scale as seen below. At the very bottom there are few samples of modal chord progressions to try.

Chords

1.
G - Major
Major
xxDGBx
3
1
4
♭7
♭3
5
1
4
♭2
♭5
7
3
♭6
♭2
5
2
5
1
4
6
2
2.
G - Minor
minor
xxDGBx
3
1
4
♭7
♭3
5
1
4
♭2
♭5
7
3
♭6
♭2
5
2
5
1
4
6
2
3.
G - Diminished
diminished
xxDGBx
2
7
3
6
2
♭5
7
3
1
4
♭7
♭3
5
1
4
♭2
♭5
7
3
♭6
♭2
5
2
5
1
4
6
2

Harmonizing the modes of the major scale

See how the chord shapes move changing mode.

4.
G - Major / Ionian
I - Major
ii - minor
iii - minor
IV - Major
V - Major
vi - minor
vii - diminished
EADGBE
1
♭7
♭3
♭6
♭2
4
♭7
2
7
3
6
2
♭5
7
3
1
4
♭7
♭3
5
1
4
♭2
♭5
7
3
♭6
♭2
5
2
5
1
4
6
2
6
♭3
♭6
♭2
♭5
♭7
♭3
7
3
6
2
5
7
3
8
4
♭7
♭3
♭6
1
4
9
♭5
7
3
6
♭2
♭5
10
5
1
4
♭7
2
5
11
♭6
♭2
♭5
7
♭3
♭6
12
6
2
5
1
3
6
13
♭7
♭3
♭6
♭2
4
♭7
14
7
3
6
2
♭5
7
15
1
4
♭7
♭3
5
1
16
♭2
♭5
7
3
♭6
♭2
5.
G - Dorian
i - minor
ii - minor
♭III - Major
IV - Major
v - minor
vi - diminished
♭VII - Major
EADGBE
1
♭7
♭3
♭6
♭2
4
♭7
2
7
3
6
2
♭5
7
3
1
4
♭7
♭3
5
1
4
♭2
♭5
7
3
♭6
♭2
5
2
5
1
4
6
2
6
♭3
♭6
♭2
♭5
♭7
♭3
7
3
6
2
5
7
3
8
4
♭7
♭3
♭6
1
4
9
♭5
7
3
6
♭2
♭5
10
5
1
4
♭7
2
5
11
♭6
♭2
♭5
7
♭3
♭6
12
6
2
5
1
3
6
13
♭7
♭3
♭6
♭2
4
♭7
14
7
3
6
2
♭5
7
15
1
4
♭7
♭3
5
1
16
♭2
♭5
7
3
♭6
♭2
6.
G - Phrygian
i - minor
♭II - Major
♭III - Major
iv - minor
v - diminished
♭VI - Major
♭vii - minor
EADGBE
1
♭7
♭3
♭6
♭2
4
♭7
2
7
3
6
2
♭5
7
3
1
4
♭7
♭3
5
1
4
♭2
♭5
7
3
♭6
♭2
5
2
5
1
4
6
2
6
♭3
♭6
♭2
♭5
♭7
♭3
7
3
6
2
5
7
3
8
4
♭7
♭3
♭6
1
4
9
♭5
7
3
6
♭2
♭5
10
5
1
4
♭7
2
5
11
♭6
♭2
♭5
7
♭3
♭6
12
6
2
5
1
3
6
13
♭7
♭3
♭6
♭2
4
♭7
14
7
3
6
2
♭5
7
15
1
4
♭7
♭3
5
1
16
♭2
♭5
7
3
♭6
♭2
7.
G - Lydian
I - Major
II - Major
iii - minor
♯iv - diminished
V - Major
vi - minor
vii - minor
EADGBE
1
♭7
♭3
♭6
♭2
4
♭7
2
7
3
6
2
♯4
7
3
1
4
♭7
♭3
5
1
4
♭2
♯4
7
3
♭6
♭2
5
2
5
1
4
6
2
6
♭3
♭6
♭2
♯4
♭7
♭3
7
3
6
2
5
7
3
8
4
♭7
♭3
♭6
1
4
9
♯4
7
3
6
♭2
♯4
10
5
1
4
♭7
2
5
11
♭6
♭2
♯4
7
♭3
♭6
12
6
2
5
1
3
6
13
♭7
♭3
♭6
♭2
4
♭7
14
7
3
6
2
♯4
7
15
1
4
♭7
♭3
5
1
16
♭2
♯4
7
3
♭6
♭2
8.
G - Mixolydian
I - Major
ii - minor
iii - diminished
IV - Major
v - minor
vi - minor
♭VII - Major
EADGBE
1
♭7
♭3
♭6
♭2
4
♭7
2
7
3
6
2
♭5
7
3
1
4
♭7
♭3
5
1
4
♭2
♭5
7
3
♭6
♭2
5
2
5
1
4
6
2
6
♭3
♭6
♭2
♭5
♭7
♭3
7
3
6
2
5
7
3
8
4
♭7
♭3
♭6
1
4
9
♭5
7
3
6
♭2
♭5
10
5
1
4
♭7
2
5
11
♭6
♭2
♭5
7
♭3
♭6
12
6
2
5
1
3
6
13
♭7
♭3
♭6
♭2
4
♭7
14
7
3
6
2
♭5
7
15
1
4
♭7
♭3
5
1
16
♭2
♭5
7
3
♭6
♭2
9.
G - Minor / Aeolian
i - minor
ii - diminished
♭III - Major
iv - minor
v - minor
♭VI - Major
♭VII - Major
EADGBE
1
♭7
♭3
♭6
♭2
4
♭7
2
7
3
6
2
♭5
7
3
1
4
♭7
♭3
5
1
4
♭2
♭5
7
3
♭6
♭2
5
2
5
1
4
6
2
6
♭3
♭6
♭2
♭5
♭7
♭3
7
3
6
2
5
7
3
8
4
♭7
♭3
♭6
1
4
9
♭5
7
3
6
♭2
♭5
10
5
1
4
♭7
2
5
11
♭6
♭2
♭5
7
♭3
♭6
12
6
2
5
1
3
6
13
♭7
♭3
♭6
♭2
4
♭7
14
7
3
6
2
♭5
7
15
1
4
♭7
♭3
5
1
16
♭2
♭5
7
3
♭6
♭2
10.
G - Locrian
i - diminished
♭II - Major
♭iii - minor
iv - minor
♭V - Major
♭VI - Major
♭vii - minor
EADGBE
1
♭7
♭3
♭6
♭2
4
♭7
2
7
3
6
2
♭5
7
3
1
4
♭7
♭3
5
1
4
♭2
♭5
7
3
♭6
♭2
5
2
5
1
4
6
2
6
♭3
♭6
♭2
♭5
♭7
♭3
7
3
6
2
5
7
3
8
4
♭7
♭3
♭6
1
4
9
♭5
7
3
6
♭2
♭5
10
5
1
4
♭7
2
5
11
♭6
♭2
♭5
7
♭3
♭6
12
6
2
5
1
3
6
13
♭7
♭3
♭6
♭2
4
♭7
14
7
3
6
2
♭5
7
15
1
4
♭7
♭3
5
1
16
♭2
♭5
7
3
♭6
♭2

Sample progressions

Major/IonianDorianPhrygianLydianMixolydianMinor/AeolianLocrian
I–V–vi–IVi–IV–i–♭VII–ii–♭II–♭III–iI–II–I–III–♭VII–I–♭VII–Ii–iv–v–inone*
IV–I–V–vii–♭VII–i–♭VII–ii–♭III–♭vii–iI–V–I–II–II–IV–I–♭VII–Ii–♭VI–♭VII–inone*

*The diminished chord is considered too unstable to use as a tonic.