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The Seven Modes
The Seven Modes
The seven modes can be derived by combining the minor and major pentatonic scales. By combinig the major and minor pentatonics with the flat third removed you will get the mixolydian scale (fig. 4). Having the pattern for the mixolydian scale you'll see that you can use the same scale pattern for all modes of the major scale but with the notes shifted under the pattern for each and every mode (fig. 5-10). The modes can also be seen as skiping different notes playing an octave, or start playing the same pattern at different places see fig. 11.
;The seven modes can be derived by combining the minor and major pentatonic scales. By combinig the major and minor pentatonics with the flat third removed you will get the mixolydian scale (fig. 4). Having the pattern for the mixolydian scale you'll see that you can use the same scale pattern for all modes of the major scale but with the notes shifted under the pattern for each and every mode (fig. 5-10). The modes can also be seen as skiping different notes playing an octave, or start playing the same pattern at different places see fig. 11.
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